Moebius!
(Source: theairtightgarage, via mirrormaskcamera)
Collage cousin for skynoise.net.
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LIKING these bits..
Pixel Rep-re-senting >> Melbourne, Australia.
Moebius!
(Source: theairtightgarage, via mirrormaskcamera)
MONA visit, Jan 2013, Hobart, Tasmania.
Those last few weeks of lame-assed ‘end of the world’ jokes were gruelling enough.. this just adds hydrochloric acid to the wound..
(via myownpersonaluniverse)
Back in May 2012, before heading out to the Wide Open Spaces festival with Pattern Machine.
“The *spark d-fuser lets you crossfade between laptops. Whether switching between presenters or pushing avant-garde pixels, hands-on control for mixing DVI and VGA signals is now available in a compact and affordable package.”
And yo~! It arrives down under…. ( via flickr)
NEW MUSIC VIDEO:
Cumbia Cosmonauts - Our Journey To The Moon (And Back)
Northcote Social Club show this Friday! Click here for all the info: http://bit.ly/CumbiaCosmonauts23Nov
Spectrum of Time by Peter Erskine is a permanent rainbow sundial calendar installation. Hour and month lines painted on the walls and floor of the 40’ X 40’ X 40’ industrial museum space mark the hours, summer and winter solstices, and the spring and autumn equinoxes with astronomical accuracy. A 30’ X 30’ cross of solar spectrum light powered by the rotation and tilt of the earth tells the time and date. On cloudy days a laser pointer driven by a solar tracking program fills in for the rainbow.
(via pulmonaire )
And more from Peter’s site:
Germany
“Sun, Moon and Stars” (Sonne, Mond und Sterne), Exhibition Kokerei Zollverein, Essen, Germany. “Spectrum of Time” and “Sunrise” are permanent installations that opened 5.1999. The Kokerei Zollverein is a renovated coking factory converted to an exhibition site in the heart of the German coal mining region.
“Spectrum of Time” is a permanent rainbow sundial calendar installation in the Kokerei Zollverein, a United Nations Historic Preservation site. Hour and month lines painted on the walls and floor of the 40’ X 40’ X 40’ industrial museum space mark the hours, summer and winter solstices, and the spring and autumn equinoxes with astronomical accuracy. A 30’ X 30’ cross of solar spectrum light powered by the rotation and tilt of the earth tells the time and date. On cloudy days a laser pointer driven by a solar tracking program fills in for the rainbow.
“Sunrise” is the first art experience in the Kokerei. Riding in a people mover, viewers ride the 400’, 20 degree incline following the dark path of the coal in its original conveyor belt tunnel. As they rise, the viewers travel through a fog inlluminated 400’ long 10’ high solar spectrum beam, and pass through the changing colors of the rainbow. When they disembark on the factory roof they see the solar powered 8’ X 8’ heliostat solar tracking mirror, and solar prism that create the art. (!!)
“Poster for the upcoming documentary about Alejandro Jodorowsky’s Dune (possibly the greatest Sci-Fi film that never was). The poster is released by Mondo. More info about the film and the great lineup of artists who worked on the pre-production can be found here.”
( via dwdesign )
Foggy morning Tree of Shoes, Edinburgh gardens. (Taken with Instagram)
“This is the story of a man,
marked by his image of his childhood.”There is science fiction before La Jetée and science fiction after La Jetée. Constructed almost entirely from optically printed photographs, Chris Marker’s 27-minute dystopian short unfolds as an elliptical portrait of time, memory and love lost. A prisoner in post-war Paris experiences recurring memories of another time and place — a woman, an airport, a death — and scientists plan to embed him within the past in an attempt to salvage the present.
The film, of course, is the primary inspiration for David and Janet Peoples’ screenplay for 12 Monkeys, Terry Gilliam’s 1995 feature.
La Jetée’s influence runs the gamut of literature and cinema, from Haruki Murakami’s Hard-Boiled Wonderland and the End of the World to Christopher Nolan’s Inception. To dust for Marker’s fingerprints on contemporary science fiction (and with his 1983 Sans Soleil, on travel, geography and world history) is to experience the pinnacle of cinema as an intertextual art form.
Chris Marker, born 29 July 1921 under enigmatic circumstances in either Ulan Bator, Mongolia or Belleville, Paris, passed away yesterday, hours removed from his 91st birthday.
“A Beluga whale makes and plays with bubble rings.”
(via idterab)